Nuremberg Trials through the eyes of the Soviet caricaturists

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Several of the episodes described in the article Nuremberg at 80: How do you put a death machine on trial? An article reblog were immortalised in the caricatures, drawn by the Soviet caricaturists observing the trials.

The last line of the German-Fascist defence. The defenders at work

A 1945 caricature from the Nuremberg trials by “Kukryniksy”.

In Krokodil issue №6 of 1982, there was a large publication, celebrating the famous Soviet art collective “Kukryniksy” — Mihail Kupriyanov, Porfiry Krylov, Nikolai Sokolov. The publication went under the title “My Veterans”, and featured, among other, excerpts from their book “The Three of Us Together”. Below is one such fragment:
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The “TASS Windows” – the windows to our struggle in the Great Patriotic War

Reading time: 12 minutes

Following the opening of the TASS exhibition “Their Feat Is Immortal”, where “TASS Windows” were mentioned in Lavrov’s opening speech, we present an extended translation of a publication by TASS made in 2021, celebrating the 80th anniversary of the creation of “TASS Windows”.

The article below is extended with insets, where we add our translation of each of the presented Window. After the article, we will show several other Windows from the posts at our Telegram channel “Beorn And The Shieldmaiden”.


80 years of “Windows of TASS”

Who and how created the posters that even Goebbels was afraid of

About one and a half thousand posters with a total circulation of more than 2 million copies. With printing for the army and partisans, filmstrips and exhibitions during the War being done in the USSR, Great Britain, Sweden and China. All these are “Windows of TASS”, which were produced during the Great Patriotic War to raise the morale of the Soviet soldiers.

Poster No. 13 “Chatterbox is a godsend for a spy”, 1941. Artist A. Radakov


Poster No. 13 “Chatterbox is a godsend for a spy”

Here you see their different shapes:

– A tongue so long it can let slip a military secret.
– Two ears from each side: a fly flies into one, an elephant emerges from the other (a play on the saying “to make an elephant out of a fly”, that is, to magnify rumours).
– Glasses that are rosier than roses: he sees wolves-spies as innocent kids.
– Catch these helpers of the enemy, BE ON GUARD!


On June 22, three hours after the radio announcement of the outbreak of war, members of the Moscow Organisation of the Union of Artists: Mihail Cheremnyh, Nikolai Denisovsky and Pavel Sokolov-Skala met at the art salon at 11 Kuznetsky Bridge. They discussed the creation of an editorial office for the production of propaganda posters to help the front.
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100 Year Anniversary of the Soviet Art Collective “Kukryniksy”

Reading time: 12 minutes

KUKRYNIKSY is 100 Years!

We present the material from the series of posts at our Telegram channel “Beorn And The Shieldmaiden”, celebrating the centenary of this illustrious art collective!

2024 marks the 100th anniversary of the day when the first cartoon of Mihail Vasilyevich Kupriyanov, Porfiry Nikitich Krylov and Nikolai Alexandrovich Sokolov was printed in the magazine “Komsomolia” with their common signature “Kukryniksy”.

👉 Mihail Vasilyevich Kupriyanov [October 8 (21), 1903 – November 11, 1991]
👉 Porfiry Nikitich Krylov [August 9 (22), 1902 – May 15, 1990]
👉 Nikolai Alexandrovich Sokolov [July 8 (21), 1903 – April 17, 2000]

The “y” at the end is the Russian plural form — that is, “Kukrynikses” — preserved for the authenticity of the collective’s name.

Mihail Kupriyanov was born in the city of Tetyushi, Kazan province of the Russian Empire, Porfiry Krylov — in Tula, Nikolai Sokolov — in the village of Tsaritsyno, Moscow province, and his entire childhood and youth were spent in Rybinsk.

Young talented artists would hardly have had the opportunity to meet if it were not for the “Higher Art and Technical Workshops” (VHUTEMAS). In 1922, Kupriyanov and Krylov began working together in the wall newspaper of VHUTEMAS under the signature of Kukry and Krykup.

At the same time, Sokolov, while still living in Rybinsk, put the signature “Niks” on his drawings. In 1924, he joined Kupriyanov and Krylov, and the three of them worked in the wall newspaper of VHUTEMAS as Kukryniksy.

Our team, to tell the truth, consists of four artists: Kupriyanov, Krylov, Sokolov and Kukryniksy. All three of us treat the latter with great trepidation and care. What was created by the team could not have been mastered by any of us individually.
— Kukryniksy


The Exhibition in honour of KUKRYNIKSY

I do not know if there ever existed — and I do not think that in the field of caricature there could exist — such a “consubstantial and indivisible trinity” as our Kukryniksy.
— Maxim Gorky

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