Daily Archives: March 18, 2025

Oscar-winning film lies about the Red Army. A re-blog of MFA statement

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The re-writing of history is happening in two planes – the erasure of the actual history through the destruction of the monuments, and the implanting of a “new” narrative in the minds of the people. We told about the destruction of the monuments through a video clip from the film “Warsaw ’21” in the article “Warsaw ‘21” – a political thriller with a fragment on the essence of the Polish destruction of the Soviet memorials, while the alteration of the history with the “new narrative” is happening though the films, like the one criticised below.

For an additional story about the liberation of Poland, and how that event gets malformed in the minds of the Poles, see our 2015 article The Sorrow of a Warsaw Woman. Why Poland is not happy to be liberated from fascism?

Soviet and Polish soldiers plant the victory banner. Warsaw, January 1945. The Great Patriotic War of 1941-1945.

Oscar-winning film lies about the Red Army

Nikolai LAKHONIN, Chief Counselor, Foreign Ministry Information and Press Department
March 17, 2025

The annual Oscars Academy Award ceremony attracts attention of the whole world. Recently, another such show took place. We would like to talk not about the American film Anora (rated R) with Russian actors (we congratulate them on their great success), but about the drama A Real Pain (rated R) directed by Jesse Eisenberg.

It is also an American film, made by Americans primarily for Americans and about Americans. This is important. The picture is about historical memory in the perception of American descendants who survived the Holocaust. The genre is a road film: the main characters travel to memorial sites, get acquainted with monuments in the Polish capital and go to the Majdanek concentration camp museum. The picture has already been seen by millions, and after it received the Oscar for Best Supporting Actor, even more people will see it. The screenwriters of such films lay down powerful narratives. And since they contain a distorted view of the most important events related to our country, we cannot remain silent.

The myth of the Red Army

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No LRADs used at Belgrade Demonstration – False flag in Serbia

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💢 No LRADs used at Belgrade Demonstration‼️

Contrary to media narratives being pushed everywhere, there was no sound cannon used during the protests in Belgrade Serbia on March 15th, 2025


Backup at Rumble.

📣 – The evidence presented is conclusive – Case closed

Here we see and hear what really happened – with new video, leaked audio – and a clear perspective.

‼️ For immediate distribution – SHARE, COPY, FORWARD‼️

Thanks to the guys – Putinger’s Cat and Working Brother.

Source: Xoaquin Flores

The day before, we published this post at our Telegram channel “Beorn And The Shieldmaiden”

🇷🇸 A new attempt at a colour revolution in Serbia


Backup at Rumble.


Backup at Rumble.

Now that the CIA is running out of bodies to be thrown into the meatgrinder in Ukraine, they desperately need a new bloody conflict, and Balkans is the place to go.

The current attempt at a colour revolution has all the CIA playbook bullet points to it. Just compare the two videos — the second one is from the 2014 Ukraine, where the CIA handlers are inspecting their handiwork (https://t.me/BeornAndTheShieldmaiden/10809)! Don’t mix Serbia and Ukraine!

But there is one difference. Snipers have been used too many times before — both in Moscow, Vilnius, Damascus, Kiev, to name a few places. So now the CIA used something different — crowd control.

RT reports:

Serbia to investigate ‘gross disinformation’ on sound cannon allegedly used on protesters — Vucic
Pres. hasn’t said anything about mysterious sound heard in video yet

We include the video in question in the comments. The point about the sound is significant, as it is not an overwhelming sound, but a short burst of noise, as if a signal to the ringleaders within the crowd to start acting and to lead the crowd into a stampede.

Once the stampede is organised, there are bound to be some victims, which will later can be given some “poetic” name, for example, in this case, “the heavenly half-hundred”.